Showing posts with label Devotional Cinema. Show all posts
Showing posts with label Devotional Cinema. Show all posts

Sunday, February 26, 2017

Contemplative Holocaust short film


70 years after the Nazism far Right is rising and anti-Semitism is back in Europe. As a "Visual Artist" used my camera to make two Short Contemplative Holocaust Films to educate the younger generation and make them think. I try to reach as many people I can especially but not only Art film and Slow Cinema lovers. I decided to choose real historical locations because I wanted my audience not simple just watch my film, but deeply think about what the Holocaust was in Europe during the WWII. Though the murdered people "many of them were children" not appearing directly in the film but indirectly their spirits and memories are there. Their bodies were shot into the icy Danube River or gassed in the morgue beside the crematorium.


These two films paying tributes to the Victims using an unusual film language. I hope my film can reach different nations and generations and arouse the interest especially for the the younger generations and they start asking questions from their parents, grandparents, relatives, etc... where were they and what did they do during the WWII. There are still a lot of secrets and taboos families don't talk about. I believe if people creates taboos around everything that was linked to the Nazism, they cut themselves off from their own history. Keeping these taboos unrevealed, helps those who are trying to falsify history and dividing nations for their own political interest. On the other hand all the people have to understand what Jewish people went through and why most of the survivors don't want to talk about.

Nationalism, xenophobia and antisemitism are raising again and we are All responsible to Stop it.

My first film "Requiem for the Forgottens" was filmed at the Danube bank in Budapest nearby the Hungarian Parliament. The shoes on the river bank are important elements of the film while pointing toward the huge chunk of floating ice.

"The Shoes on the Danube Bank is a memorial in Budapest, Hungary honor the people (mainly Budapest Jews) who were killed by fascist Arrow Cross militiamen in Budapest during World War II. They were ordered to take off their shoes, and were shot at the edge of the water so that their bodies fell into the river and were carried away. It represents their shoes left behind on the bank."

The second film "Fear" was entirely filmed in Auschwitz I. and Auschwitz-Birkenau in Poland. It's a "Trilogy". I used "No camera movement" and long takes as in all of my previous films. It was minus six (-6) degrees Celsius outside and heavy wind. The film footage contains the outside view of two Crematoriums on both locations and also the view of the farther part of Auschwitz-Birkenau concentration camp, nearby the so called "Mexico section". I tried to shoot discreetly to connect the past to the present via my camera lens. The air was crisp and cool and strong wind was blowing across the snow covered Death Camp.

The first part of trilogy is about "Crematorium I. in Auschwitz". The second "middle" part was filmed in Auschwitz-Birkenau concentration camp. You can see the chimneys of the destroyed barracks through the electric barbed wires. The last part of the film is focusing on the Crematorium II. in Auschwitz-Birkenau. The sky is blue like probably at that time when the camp was operated under the German Nazi regime, but you can still feel the burnt smell of the bodies and hear the endless screaming of the people via the whistling wind.

Though in the previous years I visited the Yad Vashem, The World Holocaust Remembrance Center in Israel and even the Killing Fields and S21 in Phnom Penh, Cambodia, making the decision to film in Auschwitz was not an easy task. That was the first time I visited the death camp. I tried to light a candle but was very windy, so I mourned for the Six Millions of Jews and for All the victims of the Nazism.

Click here to watch Requiem for the Forgottens  

 and click here to watch"Fear" 

Friday, December 9, 2016

Sunday of Zen submitted to film festsivals

I just submitted "SUNDAY OF ZEN" to different Film Festivals via #FilmFreeway! Though I did't really find any festivals the genre of my film typically fit, but  maybe a few jury members understand the meaning and have chance to be  selected at least for screening. The film is a homage to Abbas Kiarostami and represents the "contemporary contemplative cinema (CCC)" or as most of the people know "slow cinema". BUT even there's differences between CCC and such a kinda films as Sundays of Zen or my other films as well as Karma, Invasion, Ways, Everywhere, In Search of Lost Time or my first Holocaust film Requiem for the Forgottens. The Still Life is a bit different, because I was working with an "actress" or let say someone who were following my instructions, therefor this film a bit closer to the so called CCC.  The other above mentioned films I made it could be rather a sub-category of CCC and call "Devotional Cinema". These films are closer to Peter Hutton and James Benning styles though when I was developing my style I have't heard about these two great filmmakers. I was influenced the most by Chantal Akerman and Jonas Mekas. Usually I don't use fix shooting time as most of the filmmakers. I mean my films start at a certain point and finishing at an other certain point.

The lengths of time between the beginning and the end is an important element of my films but as a director I have to be patient and wait for the right moment to start and finish the film within one long take even if I work without "actors" on certain locations only with natural elements, birds, trains, trespassing people, etc...

That not means I don't cut the final starting and ending point in post production but the story must have a clear beginning, a middle and the end. Using small and medium size digital cameras are quite convenient and much cheaper than shooting on 8 mm, 16 mm or 35 mm, but the colors and the outlook of the film is totally different. I'm not the only one who simply can't afford shooting with film cameras but maybe in the future this can be changed as I have chance to direct more formal slow films.

Making of Sunday of Zen

Making of Sunday of Zen

And about the Sunday of Zen; it was an excellent occasion to shoot this experimental short film and capture a moment close-up from a shy and suspicious dove's daily life. It took weeks to observe patiently the behaviors of the birds (titmouse, pigeons, doves, magpies) living nearby our apartment. They seek shelter in the trees and regularly are coming to visit us for food and some water.

The outdoor traffic sounds, the passenger trains recedes in background all part of our rush of everyday life. We must stop for even short moments despite pressure from powerful forces around us trying to persuade us to take other paths. One day we all will be able to hear the chirping birds and understand the Zen of life. Some of you could ask why the title is Sunday of Zen, ...not only Zen?Here the "Sunday" is referring to Yasujiro Ozu.